#Mr kiss kiss bang bang song lyrics john movie

He, and others, had developed into an early film screenplay. Thunderball was originally going to be the first official James Bond film produced, but this was not possible because it was at the centre of legal disputes which had begun in 1961 after Ian Fleming published his novel based upon a television screenplay that And it's really extraordinarily for an actor to bring off a line that corny and make the audience go with it.1. He brought off these - well, I guess he got the point, you know, when he shot that spear into the guy. I mean, he had to say some the worst lines ever written. And when you look at it - because you get away from these things for so long, but when they finally flash up on the screen and you just see Sean just walking across a room, just the way - his attitude towards the women, towards the guns, towards the killing. 'The golden days with Sean, you can never, never never, get away from that. But we were given that problem, and we had to live with it.' And I still don't know what the song is about to this day. I don't think anybody really analyzed what the hell he was singing about. We need 'Thunderball.' ' So I wrote a theme that facilitated the word.

#Mr kiss kiss bang bang song lyrics john movie

'And then the powers-that-be at United Artists in New York, literally two weeks before the movie opened, phoned up and said, 'We need that Goldfinger thing. Kiss Kiss Bang Bang.' Everybody fell in love with it. 'So I thought, instead of using the word 'Thunderball,' why don't we write a song called 'Mr. Kiss Kiss Bang Bang.' Which I thought was really terrific. And I flew down there, and on the way down I was reading a magazine, and it said that the Italians had a name for James Bond now, which was 'Mr. 'There's a kind of fascinating story behind that, because that is probably the worst title for a song you can imagine. On Writing The Theme Song For 'Thunderball'

What we were playing, it was empty, so I sat down at the piano and I came up with 'Da ya na na da.' And did it on wah-wah trumpets.' And we had a break, they went up for their 10-minute tea break, and in the tea break I just found it. 'Originally, it just started off with a chorus, 'De dum.' And there was no 'By ya ya ya ya.' That wasn't there then. He managed to bring off the most extraordinary song about a villain. So then I got my head on right, and I thought that's the definitive song. And then I thought of Kurt Weill's 'Mack the Knife,' which is the definitive song about a villain. People don't sit down and write songs about villains.

I discussed it with myself, and I thought, 'Well, what is this about? It's a song about a villain.' And then I started to reflect historically - there's no songs about villains. 'They said, 'Go away and write it.' So I never discussed it with the director or the producers. On Writing The Theme Song For 'Goldfinger' Sean Connery and Shirley Eaton in a scene from the James Bond film Goldfinger. There's no, 'Well, it works a little.' A good score is a score that really works 100 percent, where you just hit all the buttons.' I mean, with film there's no middle ground, you know. 'Every time says, 'I'm Bond - James Bond,' it laid in all over the damn place,' he said. No at the Pavilion in Piccadilly in London. His first encounter with his Bond musical score came during a screening of Dr. In fact, Barry didn't even see a preview of the film before it appeared in theaters. I knew roughly what the essence was, but I never saw the movie. 'I'd only seen like a cartoon strip that they used to have in the Daily Mail in England. 'I didn't sit down and intellectualize about it, and I've never read a James Bond book,' Barry said. In 1999, he joined Fresh Air's Terry Gross for a conversation about his career, and revealed that he didn't initially think too much about composing music for the Bond films. He was 77.īarry also scored about 100 films, winning Oscars for his music from The Lion in Winter, Born Free, Out of Africa and Dances with Wolves. Composer John Barry, best known for creating music for the James Bond movies, has died at age 77.Ĭomposer John Barry, who wrote the scores for 11 Bond films, as well as the theme songs for Goldfinger and Thunderball, died Sunday.